
December 11-17, 1998
Page 16
Special Report: Pinay soothes lonely expats with on-line radio music
By JOSEPH G. LARIOSA
With a SMIL (pronounced "smile"), a
Filipina expatriate based in a suburb of
Orlando, Florida is hosting a
pioneering interactive on-line radio program
being accessed by tens of
thousands of Filipinos from around the world.
SMIL is acronym for Synchronized
Multimedia Integration Language, a computer
language which enables authors to
bring radio and television-like content onto
the W3 (World Wide Web).
Last September 14, thousands of
homesick overseas Filipinos found themselves
listening to recorded music
interpreted by such Filipino singers as Gary
Valenciano, Florante de Leon,
Freddie Aguilar and Nora Aunor as they stumbled
on the website,
http://www.philradio.com/, "Musikang Pilipino, Musikang
Sariling Atin."
Considered the first of its kind, the
program hosted by Kathy Llamas is
patterned after an ordinary
Philippine radio music program that benefited
from a concept developed a year
ago by computer industry leaders from US,
France and Japan which Ms.
Llamas' host radio station perfected into
commercial use.
Ms. Llamas said that by the end of
her two-hour daily (weekdays) program from
8 p.m. to 10 p.m. (Eastern
Standard Time) which is 9 a.m. to 11 a.m. Manila
time that day, she got 4,000
"hits" (website visitors) and emails from around
the world. "I think I just struck
a raw nerve from our nostalgic kababayans."
Less than two months into the
cyberspace, the program, which Ms. Llamas has
since beamed to an international
audience with a slogan "Kahit Saan, Kahit
Kailan," has logged 200,000
regular listeners (website visitors) and is
getting 50 to 60 emails a
day.
"Suddenly, possibilities are
limitless." according to the excited veteran
radio announcer who dedicates to
her website visitors Filipino musical
recordings they requested before
playing them.
Lately, backed by popular demand, Ms.
Llamas launched a serious talk show
called "Kuro-Kuro ni Kathy and
Kompany," where she welcomed call-in opinions
from listeners and emails from
everywhere. The maiden topic dwelt on the
"Filipino's Crab Mentality
(habit) … True or False?"
As it turned out, Ms. Llamas was able
to put up a positive spin on this nasty
Filipino habit. She said, this
Filipino habit may not really be pulling down
somebody on top of him at all.
Instead, she added it is possible that it is
the other way around: it is the
one on top who is pulling up the ones below.
Anybody can click on the
inaugural program of "Kuro-Kuro …" by clicking it
from among its website
selections.
Other program selections include
"Voice of the Philippines," which features
current news from the
Philippines, "Philippine Entertainment Weekly," which is
about show business news, and
such other musicals as "Mga Himig ng Pag-Ibig"
and "Mga Kanta ng Lolo
Ko."
Ms. Llamas was a rising radio star at
the waning days of martial law in the
Philippines when she decided to
sign off the air by immigrating to the United
States in 1986. But before
leaving her DZRJ radio station in Sta. Mesa, Manila
for good, she left an altruistic
bunch who accommodated in their booth a
fellow radio announcer, June
Keithley, whose radio station -- Radio Veritas
-- was bombed into silence at the
height of the People Power Revolution. As
every "rebolusyonario" at EDSA
knew it, Ms. Keithley's clandestine radio
broadcast was the voice that was
followed by the people during the three-day
Philippine version of the
bloodless Velvet revolution.
When she joined the fourth generation
of teeming Filipino economic refugees
to the United States shortly
after the Revolution, Ms. Llamas was not really
overly optimistic of carrying on
a promising four-year broadcast career she
left behind despite a degree in
Mass Communications, majoring in Broadcasting
from the University of the
Philippines, up in her sleeves.
After landing an uneventful
broadcasting stint for two years in California,
she relocated to equally sunny
Florida, which has a big slice of Spanish-
listening public. There, she
resumed her broadcasting career for the last 10
years.
But she did not expect to land a
broadcasting job in Spanish!
"Although, I could understand
Spanish because of my Filipino heritage and
education, I don't speak the
language like a native does and I certainly never
expected to do such a show." Ms.
Llamas would now recall of her top-rated
Spanish program, "Romance con
Catalina" (Romance with Catalina), taken after
her Spanish name. "I just
considered it a challenge when I accepted the job."
This forced her to take up a
refresher on Spanish. The Spanish program
featuring Spanish music became so
popular that she was asked by her employer
to host more Spanish programs,
namely "Viva Amor!" and "Boleros Classicos."
Last August, however, the general
manager of her radio station WTRR in
Sanford, a small city,
population, 32,387 (1990), 22 miles north of Orlando,
Joe Episcopo, asked her to host a
Filipino program. Like the turtle in the
popular Filipino fable about the
"Monkey and the Turtle," Ms. Llamas was
hesitant to take the offer
although deep in her heart, she really loved to
take it even for a song.
Like her Spanish radio programs, this
Filipino program called "PhilMusic
Radio" is not an ordinary radio
program which has an assigned radio
frequency. Unlike an ordinary
radio program, Kathy's kind of program is not only heard
in her own backyard in Sanford
but also around the world and at the same time!
The downside is that when her
listeners will greet her through email or live
by telephone from Paris, France
or Hongkong or other parts of the world, she
loses her sense of time. She
doesn't know if she should respond with "good
morning," "good afternoon" or
"good evening."
Unlike an ordinary radio program in
which radio waves travel through the air
and through space, this program
is transmitted through phone lines, like a
fiber-optic communications cable
used by cable television. Hence, there's no
more need to adjust the radio
antenna to get a clear signal. The signal is
just as clear as an ordinary
local on-air radio broadcast.
Like an ordinary radio program which
can be recorded, Ms. Llamas'
"PhilRadio" program can also be
"archived" so some of her selected programs
can be accessed later by
listeners who missed the live on-line broadcast.
Still, her website may not yet reach
a "uberportal" proportion, which Tony
Scott, managing director of the
Silicon Valley office of the Chicago-based
A.T. Kearney management
consulting group, defined as "an audience of almost 38
million people a month (who)
would go to start their forays onto the Internet"
referring to the recent
$4.2-billion acquisition of Netscape Communications
Corp. by American Online, Inc.
But it can get there. Someday.
With 90MHz Intel Pentium processor or
equivalent, 16MB of RAM, 14.4Kbps modem
(audio only); 28.8Kpbs modem
(video), 16-bit sound card and speakers,
65,000-color video display card
(video), Windows 95 operating system, Internet
connection and web browser as
minimum requirements, anybody anywhere who wants
to listen to Filipino music,
news, discussions, interviews, descriptions of
events and advertising will be
able to access Ms. Llamas' website by visiting
"http://www.philradio.com/ and by
downloading a free software "RealPlayer G2"
available in the website. After
clicking past the Philippine national anthem
icon, anyone can click on any
program selection and can hear Filipino music
and talk as soon as the
"buffering" disappears from the taskbar of the
"G2-RealPlayer." The "buffering"
lasts for about five or ten minutes.
As the "G2-RealPlayer" icon is
minimized, one can do other tasks on the
computer as word processing while
listening to the music or talk show portion.
This writer stumbled on Ms. Llamas's
website through Dennis Villanueva, one
of Ms. Llamas' former radio
colleagues back in the Philippines. Mr.Villanueva,
a former announcer at Channel 5
and newscaster/disk jockey at now defunct DXMT
in Davao city and now a Florida
businessman, announces the Kathy's radio
station's "promo liners and the
station I'D." Mr. Villanueva is ina-anak
(godson) of Mr. Ben Rodriguez,
editor-in-chief of the Manila Bulletin, who
stood as "ninong" (sponsor) at
his (Villanueva's) wedding. Mr. Rodriguez is my
boss in the Manila Bulletin where
I file my Chicago datelined stories from the
US for that top leading daily
newspaper in the Philippines.
--jglariosa@aol.com